Eine Kleine Nichtmusik

Witty and pertinent observations on matters of great significance OR Incoherent jottings on total irrelevancies OR Something else altogether OR All of the above

Monday, December 07, 2009

A hole-in-the-wall crash machine


At about 0500 on Saturday morning, when we were all asleep in bed, a drunk driver in a Mazda attempted to turn into the road beside our house. He failed. What he did instead was hit our garden wall at (we reckon) between 50 and 60 mph, pulverising an eight-foot stretch of it, flattening the hedge behind it and loosening the wall for several yards on each side of the hole. None of which woke any of us: we found out about it when we got up, finding a card from the police through our letter-box. I sleep very soundly, and Hilary wears earplugs to drown out my snoring. Our son, though, sleeps in a room just above our front door, so we're impressed that he wasn't woken.

At least the driver was (a) unhurt (his passenger was slightly injured apparently) (b) insured.

The Proclaimers: Usher Hall, Edinburgh, 10 November

Time to start in on my recent backlog of gig reviews (I'm going to roll up the earlier part of the year into a couple of mega-posts).

Lisa saw the Proclaimers earlier on this tour, so I was interested to see whether they did indeed rouse the Usher Hall to greater heights than they managed in Nottingham. After all, Edinburgh was the only European venue on the tour to be awarded two nights of the boys (an accolade shared with Melbourne!) I saw them on the first of the two, and while the audience took a couple of numbers to get going, when they got fired up (initially for "Cap In Hand") they really let rip. Hilary went to the second night and reckoned that was even livelier. She commented that the audience in the balcony were all on their feet and jigging: something which had made her uneasy when it happened (with Runrig) in the Playhouse where the whole balcony flexed, but posed no problem in the more rigid Usher Hall. On my night only half a dozen or so were on their feet in the balcony, but most of the stalls seemed to be up. So sorry, Lisa, but it was the Nottingham audience that was stolid. When they did "500 Miles" in Edinburgh I think you could probably feel the ground shaking in Nottingham.

So yes, the boys done good. The set list (not in order):

Born Innocent
Let's Get Married
Letter From America
What Makes You Cry?
Sean
I Met You
Love Can Move Mountains
Sing All Our Cares Away
Cap In Hand
There's A Touch
Causewayside
Sunshine on Leith
Life With You
Three More Days
I'm On My Way
You Meant It Then
Three More Days
500 Miles

Encores:
My Old Friend The Blues
Joyful Kilmarnock Blues
Wages Of Sin

I hadn't actually heard the new album (Notes and Rhymes) so was interested by the material from it, including a couple of songs contributed by musicians they'd worked with. For me, though, the stand-out song of the evening, even eclipsing "My Old Friend The Blues (which I'd never heard them do live before) was "On Causewayside", which seemed to me to sum up everything that made me fall in love with the Proclaimers' music when I first heard them.

Looking back at Lisa's review, they still had the decorative and very talented violin player, though in Edinburgh she was wearing a kilt and popsocks.

Incidentally, Hilary needed access to the Usher Hall the next day for work-related reasons and the place was humming with security, with access to the auditorium suspended. It turns out there had been some major security scare, though I'm not sure exactly what. Anyway, it fortunately didn't come to anything.

Saturday, December 05, 2009

The Great Pretender strikes again

Bogus asylum-seeker, serial liar, infamous right-wing Islamophobe: Ayaan Hirsi Ali ticks all the boxes. Now the disgraced Dutch ex-MP tells us all that Switzerland's vote to ban minarets was a vote for tolerance and inclusion. You couldn't make it up: but why bother when she's done it for you?

Words utterly fail me

How on Earth did I miss this story the first time round?

These go up to 11

xkcd on Spinal Tap's amps.

The BBC report on the "Large" "Hadron" "Collider"

Anna has been enjoying the punctuation fairy's liberality with "quotation marks". Used in the oddest "places". My mother used to do it sometimes, so it gives me a strangely "nostalgic" feeling. Oh God, now I'm doing it.

Anyway, the aforementioned fairy has taken up residence at the BBC. Here is the Beeb reporting on the start-up of the LHC at CERN. I liked the bit that read

Housed in a tunnel 100m beneath the Franco-Swiss border, the LHC uses some 1,200 "superconducting" magnets to bend proton beams in opposite directions around the tunnel at close to the speed of light. At allotted points around the "ring", the proton beams cross, smashing into one another with enormous energy. Large "detector" machines located at these crossing points will scour the wreckage of the collisions for discoveries that could roll back the frontiers of knowledge.

Anyone who can explain the presence of any of those quotation marks should have a go at unravelling Tony Blair's finances.

Pop goes the weasel

The Guardian has a Christmas competition with a difference. Can you shed any light on exactly where Blair's money comes from? where it goes? and why he needs such a hugely complex financial structure to launder handle it?

Bhopal: still suffering after a quarter century

Thursday was the 25th anniversary of the worst industrial accident the world has ever seen. And the best article I have ever read about it is here. It makes grim reading, especially when you realise that the Dow Corporation still refuses to clean up the site which continues to leach lethal chemicals into the groundwater. If you would like to help, go here. (Some of the photographs make pretty grim viewing - you have been warned.)

Meanwhile David Cameron peddles old myths about health & safety, calculated to please the tabloids. Here is Zoe Williams' succinct response. And here is Brendan Barber's. The final comment on that one is my own, and brings us neatly full circle to Bhopal.

Heavy Breathing

The clarinet equivalent to the Ernst in terms of crazy difficulty is Arthur Benjamin's Le Tombeau de Ravel, but I couldn't find a performance on Youtube. Its equivalent in silliness, though, I found: Domenico Liverani's fantasy on the Cujus Animam from Rossini's Stabat Mater. OK, first you take a religious text solemn to the point of morbidity. Then you set it to a rather bouncy tune (marvellously performed by Luciano Pavarottti here). Finally you make a wildly florid fantasy from it.





Admit it, if you'd heard it before the Ernst you'd have thought it was even sillier than you do now.

And now for something completely different...

...a piece generally considered to be the greatest technical challenge ever written for the violin. There is a marvellous story of the mighty Maxim Vengerov at some record industry lunch being asked if he'd play something, and simply hauling out the old Strad, giving it a cursory tune up, and launching this on his unsuspecting audience. Watch and weep:



The curious can download the sheet music free here. The crazy bit at 5:05 is the Poco piu vivo on p.31.

Saturday, November 28, 2009

How could I forget?

Another classic charity music video, this time from two girl bands:



OK, this time the cover isn't as good as the original. It's still a neat idea though.

OK, a few actual music videos for the heck of it. Here are Girls Aloud. Well, why not? Damned good cover version with an awesome bass line:



And here's another girl band. On this occasion the sisters are doing it, not for themselves, but for charity.





And while Children In Need's inevitable lets-get-the-newreaders-or-weathergirls-to-do-a-dance spot is sometimes only of curiosity value, Fiona Bruce does a damned good job on All That Jazz:

Colour me gobsmacked

A friend of mine just linked to this in Facebook. For all Countdown fans (and sometime competitors such as Clare Sudbery), watch and weep:



I'd just about got to 953 myself.....

.....and Lady Mondegreen

Regular readers will know that I'm pretty fussy about my Mondegreens. In particular, I get very annoyed by the supposedly "misheard" lyrics that pepper most of the sites on the web and which are nothing of the kind, and couldn't by any suspension disbelief be anything other than someone's lame attempt at a pun which they are trying to pass off as a Mondegreen. Sometimes deliberate ones work OK, but they do have to be clever.

This video, it seems to me, is a mix of plausible mishearings and clever inventions, with very few lame ducks. I think my favourites (excluding ones I'd heard before like "Me Ears Are Alight") are the ones by Nirvana, Billy Ocean, Kula Shaker, Eiffel 65 and Michael Jackson.



Have fun.

Tuesday, November 24, 2009

A better way of commemorating the anniversary than hiring Jon Bon Jovi

This.

I feel old. My children aren't old enough to remember the wall's coming down: I remember its going up (just).

....and an unpalatable Brit

From The Guardian

If only there were some kind of an international spokesperson whose job it was to make representations to the Israelis about this kind of thing. Such a person might be called, I don't know, perhaps a "Peace Envoy". If only we had someone like that. Of course, if such a person existed they would have been heavily involved during Operation Cast Lead (aka Israel's 'second Holocaust' in Gaza).

This man, of course, having been in Israel during all the planning and the genocidal sabre-rattling, took the opportunity to spend some time at home with his money. And where is he now? In London of course, awaiting the glory (and more money of course that he expects as his due for being willing to take time out from his £6,000 per minute public speaking schedule to pretend to be interested in the EU.

There are few things that make me ashamed to be British: Tony Blair is definitely one of them.

An unpalatable truth

A very thought-provoking piece from al-Jazeera on the US reaction to the Goldstone Report.

Monday, November 23, 2009

For my family....

....all of whom use Facebook. My son uses Bebo, I use LiveJournal (though not for some time just lately). I have a blog (admit it, you'd spotted that) and I have a feeling one of the kids has a Myspace page. My wife and daughter have iPhones and I will be following them as soon as I get round to it (I've been getting used to the interface by using my wife's sometimes).

So yeah, this is for us.

At least none of us tweets......

I'm all for encouraging organ donation

No, seriously.

Sunday, November 22, 2009

Video fun - Tell Me

In Korea there appears to be a girl band, a kind of fivefold Britney Spears, called Wonder Girl. They have a cult following among teen and pre-teen Korean girls, and a moderately catchy hit enitled Tell Me. Here it is:



Well, that may have been fun, but it was the preparation for this next one. After all, if you didn't know Tell Me you wouldn't appreciate the wackiness of this cover version on the traditional Korean Kayagum.



Definitely the oddest cover version I've heard of anything for a while.

Thanks to The Metropolitician for that. (And he has some interesting things to say on Korea's fixation with schoolgirls in advertising and the like.)

Monday, November 16, 2009

It started with a library catalogue

Thirty-two years ago this evening I had my first date with Hilary, the woman who was to become my wife. We'd known each other at university, but had both been going out with other people then. Now I was in London, working for the Inland Revenue and not long moved into an unprepossessing one-bedroom flat in Highbury, right across the road from the London Borough of Islngton's Central Library.

Ah, the library. As soon as I moved to the flat I got a ticket and started taking stuff out. (I already had a ticket for Camden where I worked.) One day I decided to see what SF by Roger Zelazny they might have, so I went to look at the catalogue. It's hard to imagine now, but in 1977 Islington's catalogue was on file cards. (Mind you, even high-tech Camden only had microfilm.) The file cards were in little labelled drawers: except when they weren't, apparently. I was totally unable to find the cards, not only for Roger Zelazny but for any author whose name began with Z. Flummoxed, I did the obvious thing and asked the librarian, who told me that the Z index was kept behind the librarian's counter. For the life of me I can't remember why, because I was more interested in the fact that I recognised the attractive young lady who was that librarian.

Whoa, stop, you're getting ahead of me. The librarian was Alison Campbell, though by then she'd got married and was Alison Melville. I'd known Alison at Durham as one of Hilary's college pals (I didn't know very many of her friends, as I'd got to know her via her boyfriend at the time). We got chatting, and as we chatted I remembered that Hilary had said she was going to be working in London for Barclays Bank. I thought it would be nice to get in touch, and asked if Alison had her phone number. She did, and neither Alison nor Roger Zelazny will take any further part in our story.

Skip forward via a string of phone messages left with Hilary's fellow-lodgers (I gather they went along the lines of Rob Saunders rang / Rob Saunders rang again / who is this Rob Saunders guy anyway?) to fair Verona, where we lay our tale. No, just kidding: to Holborn Viaduct railway station, easy to find and roughly halfway between our places of work (Hilary at Newgate Street, me in Holborn). We met, and found each other little changed by the passage of, um, about four and a half months. We went for an early dinner at the Tavola Calda in Kingsway. As I realised later, the Tavola Calda was one of a chain of Italian restaurants. What I knew then was that it was an inexpensive place with great food which you collected on a tray from a serving counter. Obviously this kept staff costs low as they were all either behind the counter, in the kitchen or clearing tables. Rather like a Starbucks but serving meatballs and Chianti and tiramisu. Meatballs and spaghetti consumed (actually I can't remember what we ate, but in honour of Lady and the Tramp - released the year I was born - let's think of it as spaghetti and meat-a-balls) we repaired to my flat (four stops up the Piccadilly Line). I must have seen Yes at Wembley Arena fairly recently, because I'd just bought Going For The One which they were touring at the time. I'd also bought Rick Wakeman's Criminal Record: not one of his greatest achievements overall, but with an earth-shaking (even on my unassuming stereo) church organ solo on Judas Iscariot. I remember playing that to Hilary, who described it as a "splendid noise". So we sat, and we listened, and we drank coffee I suppose, and a modicum of snogging occurred. Then I saw her back to the tube station, and that was that.

I suppose it was the next day that it hit me that I'd actually let my hands wander rather more liberally than I would normally have done on a first date, which embarrassed me quite a lot. Not that Hilary had complained or anything, but I began to worry that I really had not made the kind of impression I'd intended. So I wrote (ah, the days before texts, before email....) an apologetic letter thanking her for a lovely evening and hoping I hadn't spoiled it irredeemably by getting carried away. Hilary, on receiving a letter from me, was convinced that I was writing to say "Thanks, but let's not take this any further". Which I suppose neatly encapsulates our respective insecurities at the time. Of course she did forgive me, we did take it further, and voila! we were an item. Thirty-two years on, we still are.